Opening recital of the Castalian String Quartet’s residency at Oxford University — Tuesday 26 October 2021

Castalian String Quartet

On 26 October the Castalian String Quartet will arrive in Oxford for the first of 15 stays as the university’s Hans Keller String Quartet in Residence. In their opening recital at the Holywell Music Room they will be playing:

Janácek – String Quartet No.1, ‘Kreutzer Sonata’
Ligeti – String Quartet No.1, ‘Métamorphoses nocturnes’
Schubert – String Quartet No.15 in G, D.887

Book tickets here.

Forthcoming Functional Analysis performances

Functional Analysis

Wednesday 27 October at 4 pm
Holywell Music Room, Oxford
Castalian String Quartet
Hans Keller’s Functional Analysis No.7
Haydn String Quartet in D minor Op.76 No.2

Further details here

Saturday 13 November 2021 at 7:45 pm
All Saints Centre, Lewes, BN7 1LE
Musicians of All Saints
Hans Keller’s Functional Analysis No.13
Bach Brandenburg Concerto No.3 in G

Further details here.

Milein Cosman Centenary Exhibition opens in Düsseldorf

Milein Cosman Centenary Exhibition

The Düsseldorf Stadtmuseum saw the opening today of a special exhibition celebrating the centenary both of Milein Cosman and her childhood friend and fellow artist Ilde Schrader.

Milein and Ilde went to school together in Düsseldorf from 1927 until the threat of persecution and war separated them in 1937. Milein came to England and Ilde to Italy, but they were reunited after the war and remained close friends throughout their lives.

The exhibition will continue until 29 November. Further details here.

Royal College of Music Museum reopens with a new permanent exhibition of Milein Cosman’s art

Royal College of Music Museum

After undergoing extensive redevelopment, the Royal College of Music Museum reopened today — with a new exhibition of Milein Cosman’s work on permanent display in the Lavery Gallery.

The Royal College of Music holds the largest collection of Milein Cosman’s drawings of musicians, containing over 1,300 individual works. The whole collection has been digitised and can be viewed online here.

YCAT Hans Keller Artists

YCAT Hans Keller Artists 1

The string quartet was of particular importance to Hans Keller. In 2021 the Trust is embarking on a three-year project in support of string quartets, working with a variety of expert partners.

As part of this, the Trust is delighted to announce a new partnership with the Young Classical Artists Trust to support the Adelphi Quartet: read more here.

Milein Cosman’s Centenary

Milein Cosman’s Centenary 2

Today would have been Milein’s 100th birthday.

To mark the occasion, the Trust presents a new Virtual Exhibition created for Milein’s centenary by her artistic executor, Peter Black. It can be viewed here.

Live exhibitions and events have had to be postponed because of Covid-19 restrictions: the latest news on planned events can be found here.

The Milein Cosman Scholarship for Drawing at the Slade School of Fine Art

Slade School of Fine Art

The Trust is delighted to announce the establishment of the Milein Cosman Scholarship for Drawing at the Slade School of Fine Art.

The Scholarship is being launched in 2021 to mark Milein’s centenary, as well as the 150thanniversary of the foundation of the Slade, where Milein herself studied in the 1940s.

More information about Milein’s own time at the Slade can be found here.

Thomas Kettle awarded the Hans Keller Scholarship at the Royal Academy of Music

Thomas Kettle awarded the Hans Keller Scholarship at the Royal Academy of Music 3

The winner of the 2020-21 Hans Keller Scholarship at the Royal Academy of Music is Thomas Kettle. Like Hans Keller himself, Thomas is a viola player and a quartet player, whose Salix Quartet is currently on the Royal Academy of Music’s Advanced Specialist Strings Ensemble Training Scheme. For more information about Thomas, see here.

David Scrase 1949-2020

David Scrase

The Trust announces with great sadness the death of David Scrase, Cosman Keller Trustee since 2016. David joined us after his retirement from the Fitzwilliam Museum in Cambridge, where he was for many years Keeper of Paintings, Drawings and Prints and then Assistant Director of Collections, amassing an unsurpassed knowledge of the collections and directing a remarkable period of acquisitions for the museum.

We are grateful for his deep understanding of drawing and profound knowledge of the history and making of art — and to have had the wonderful company of such a generous, charming and witty friend and colleague.

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